Fabian Theory (1987) uses an electronic digital delay system, which reproduces the live signal 566 milliseconds after it has been played. This creates the effect of multiple performers, and creates a rhythmic counterpoint between the live performer and the delay. The title is a reference to the Roman dictator Fabius Maximus, who was victorious due to his use of delay tactics in battle.

Nigel Westlake (b.1958) has spent his musical career as a clarinetist with fusion bands, soundtrack-recording groups, and with some of Australias leading instrumental and orchestral ensembles. His studies have included performance, composition, film scoring, orchestration, and conducting.